By Lucio Tommaso De Paolis, Antonio Mongelli
The 2-volume set LNCS 9768 and 9769 constitutes the refereed complaints of the 3rd foreign convention on Augmented fact, digital truth and special effects, AVR 2016, held in Lecce, Italy, in June 2016.
The forty complete papers and 29 brief papers awarded werde conscientiously reviewed and chosen from 131 submissions. The SALENTO AVR 2016 convention meant to assemble researchers, scientists, and practitioners to debate key concerns, ways, rules, open difficulties, cutting edge purposes and tendencies on digital and augmented fact, 3D visualization and special effects within the parts of drugs, cultural background, arts, schooling, leisure, business andmilitary sectors.
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Additional resources for Augmented Reality, Virtual Reality, and Computer Graphics: Third International Conference, AVR 2016, Lecce, Italy, June 15-18, 2016. Proceedings, Part I
J. Sport Exerc. Psychol. 34(3), 305–321 (2012) 7. : How information guides movement: intercepting curved free kicks in soccer. Hum. Mov. Sci. 30(5), 931–941 (2011) 8. : At the heart of it all: the concept of presence. J. Comput. Mediated Commun. 3, 0 (1997). x 9. : Research on presence in virtual reality: a survey. Cyberpsychol. Behav. Soc. Network. 4(2), 183–201 (2001) 10. : The Ecological Approach to Visual Perception. Houghton Miﬄin, Boston (1979) 11. , rev. & enl. University of California Press, Berkeley (1956) 12.
3, technologies adopted for implementing the designed simulation framework are introduced. Section 4 provides an overview of the architecture of the proposed framework, whereas Sect. 5 illustrates the VRbased oﬃce environment created to study the selected use case by also analyzing robotics interaction tasks considered. Section 6 provides details about the two user interfaces. Section 7 introduces the methodology adopted to perform the experimental tests and discusses results obtained. Finally, Sect.
They state that dual-ﬂow is required to keep a player in a state of ﬂow. This comprises of the dual ﬂow of attractiveness and eﬀectiveness. Good game design comes out of four main principles: the designer, context, participants and meaningful play . Building on this, Salonius-Pasternak and Gelfond suggested that eﬀective game design should meet the needs of its intended audience in terms of expect‐ ations and characteristics of the audience . The audience was deﬁned as young people from age six upwards with a wide range of exposure to rugby.